Saturday, March 21, 2009
Butterflies for Dinner
Thursday, March 19, 2009
Flash Fiction: Ghosts Don't Cry
Ghosts Don't Cry
Ghosts don't cry.
That's about the only rule there is in my profession, where treating the disturbing is a 9 to 5.
As I dig for a buried corpse in this junk yard, the rule flashes into my head because of the girl next to me, Allie. She's shivering in my suit jacket. Her eyes are as dry as the morning she first came to my office dragging this shovel behind her.
The shovel grates against my fleshy hands.
Somewhere between the moon and this wasteland, barking dogs splinter the dead silence of the night. "Hurry," Allie whispers. "Hurry."
And then the rain begins.
Twelve hours earlier, Allie Mason wandered into my office. I looked over her file: 14-years-old, parents happily married, never touched a cigarette, A's in everything but Math.
And yet I shivered as she dropped the shovel on my desk. Her eyes were dry. In this line of business, no one has dry eyes. Everybody cries.
"So, Allie, why are you here?" I said.
"I'm being haunted," she said.
I sighed. "Allie, the dead move on when they choose to."
She ran her finger along the half of a silver heart chained around her neck. "Can you dig?" she said.
The rain steadies as I dig. It drums on the towers of old cars looming in the dark.
"Dig faster," Allie says.
The shovel strikes something metallic.
"She's under there," Allie says, eyes darting back and forth. "Hurry."
When the dogs start barking again, they're closer. Much closer.
I passed a Coke to Allie. She didn't touch it.
"How did Laura die?" I asked. Allie had identified the ghost haunting her as Laura. I had not gotten out of her who exactly Laura was.
"Why is how she died important?" Allie said.
"Because," I said, "sometimes the way we die explains why can't move on."
Allie fiddled impatiently with the silver locket. "Laura's crying for me to rescue her, Dr. Lang," she said. "And you keep wasting time with questions."
"Allie," I said, "whoever Laura is, it's too late for rescuing."
But apparently, it isn't.
The rain spills down the mounds, soaking me to the skin.
I throw back shovelful after shovelful of muddy gravel. It's harder now. The gravel sticks to the blade. The gullets of water wash more mud into the hole.
Eventually, I use the shovel to pry the hood from the mud. A cloying scent of excretion and sweat waft out.
As I reach beneath the hood, I grab something cool and fleshy. I heave, and out comes a young girl. Her pulse is there. Barely.
"Allie I've found her," I yell over the storm. "I've found Laura."
And then I see there's something else beneath the hood. Another girl. This one slashed and clawed beyond recognition. Something glimmers around her neck.
My heart stops.
It couldn't be.
"Allie, is this –"
But Allie is gone.
Vanished.
As I scan the junkyard for her, four growling shadows emerge from behind the pillars of cars.
"Dogs," Allie said.
"Dogs killed Laura?" I replied.
"They didn't kill her. They tore her apart," Allie said. "It was fast. She was the lucky one."
"What was your relationship with Laura?" I said.
Allie examined her locket – that half of a silver heart.
"She was my twin sister," Allie said.
Here I expected her to break down. To unleash the torrent of tears she must have been storing up. But she merely dropped the locket, looked up, and said: "You never answered my question: can you dig?"
Can I dig. The words from that morning ring in my ears as the dogs circle me, teeth bared, eyes glowing in the lightning.
"Allie?" I say again. The girl in my arms coughs. The dogs creep closer, thunder rumbling from their throats. I scan the ground for the shovel. It's too slippery, I know, but there's nothing else.
Then a bright light blasts from the distance. I have no time to shield my eyes as a car tears across the junkyard. It skids to a stop, ejecting ribbons of mud into the air. The dogs scream and flee.
The door swings open and I toss the girl inside. "There's one other!" I yell to the driver. But there is no driver. A locket hangs from the rearview mirror, the half of a silver heart now full.
I grab the wheel and floor the pedal. As I glance in the rearview mirror, for a moment, I glimpse Allie in the back, holding her sister's head in her lap.
The tears are pouring down her smiling face.
But then again, ghosts don't cry.
Wednesday, March 18, 2009
The Boy Who Cried Fire
Saturday, March 14, 2009
London Weekend Part Deux
The only reason I can understand why it's the strange memories from London Weekend that stand out is because a guy running ahead of my dad in the 1984 Chicago Marathon decided to take a piss.
That was one of the two things my dad remembered from his
Back to
It's the other .2 that stick.
Episode 1:
"Red or white?" the MC asked. His bloated red face was slicked with sweat from screaming out pub quiz questions for the past hour.
I had no idea what he meant. I had just captained our pub-quiz team to a championship -- with little thanks to me, really. In a pub packed with over 50 U of I students and alums living in London, my team was lucky to have both Ryan, our spiky-haired London Weekend guide who actually read the stories beneath headlines, and Chris, the English husband of a U of I alum who took care of anything about England.
"Red," I said.
The MC reached behind the bar and handed me a bottle of red wine as we left the pub to head to a Brazilian diner on the River Thames. In the hierarchy of concerns and values of your vacation-minded U of I student, the bottle was a potion of instant popularity.
I'll have a feeling I'll be remembering that moment for a long time. I have no idea why. Maybe it was the spontaneity of the question. Of having absolutely, positively no clue what he meant. Or maybe it was the winning. We always remember winning, don't we?
Episode 2:
And then I'll remember the big orange "Drugs" sign.
After the Brazilian diner, Christian, a 2006 U of I alum, led us to a club called Rodeo. The decor tried really hard to be American Old West, from the Harley to the Route 66 signs.
But what caught my eye was the big orange neon "Drugs." No catchy phrase, no embellishment, just "Drugs." I found this hilarious, in a delusional sort of way. I don't think there were any drugs there. They wanded and padded down everyone who entered. But then again, I'm not sure how else to excuse the flailing-limb-lolling-tongue dance style popular with most of the
Episode 3:
And then, of course, there was the waterfall.
On the last night, we played Circle of Death. My roommate had annexed our room as the party room. I decided to skip going to another club, wanting only to go to sleep to fight off a wicked sore throat. It seemed that over the course of three days, we swapped bugs from our respective English universities so that, even if I was immune to
But as more and more students piled into the room, sleep was becoming a less and less likely option.
So I uncorked a bottle of throat-soothing 7-Up and played along. It was good rowdy fun until someone crossed the line and threw beer out the window.
Now, Jerome, my study abroad advisor, said the average Londoner is caught on camera over 300 times per day. Whether or not this is accurate, it certainly is true that there are cameras everywhere.
And one of them nabbed our beer hurler.
Ten minutes later, a fat security guard knocked on the door, breaking up the party and asking "Who dunnit?" He made the usual threats -- accusations that the perpetrator could be charged with assault, or that we could all be kicked off the floor. When some of the students denied the beer toss even happened, he victoriously pointed to the wet splatters on the window, evidently pleased with his detective work.
I wasn't nervous, just angry. The security guard wanted blood. American blood made it all the sweeter. But no one was going to be the rat, and the kid who threw the water was too much of a coward to turn himself in. So a girl took the bullet for everyone, saying she did it while the guy who did slunk out of the noose. I was furious at the injustice, but at the same time I was glad finally to get to bed. Sure enough, the whole thing had blown over by morning.
In the end, what makes for a story are the unexpected snippets that grow like weeds or wildflowers in the cracks of an agenda. No trip is worth it without these curveballs. Luckily, they're not hard to come by.
Indeed, a flexible mindset, a spirit of adventure, and a willingness to depart from the agendas of our expectations provide infinite opportunities for these curveballs. (And believe me, some of them are very curvy indeed.) The trick is not to fear the zigs and zags, but to realize that -- weeks, months, years later -- they'll be the tokens we use to assess our own enthusiasm for the experience. They're the grains of sand that make the pearls.
They're the reasons we should never be bored with the trials of travel.
Friday, March 13, 2009
Flash Fiction: Ugly
A piece of flash that I read at this past Monday's Creative Writing group meeting. The other writers were impressed. "How did you write so convincingly about an ugly person considering how darn good lookin' you are?" they asked.
I guess some mysteries aren't meant to be solved ;)
Ugly
My name is Eddy. I am ugly and in trouble.
The ugly part first.
I am downright butt-ugly.
How ugly, you ask? Mix phlegm with pus, then crunch up cockroaches and sprinkle them on top. Pour the mixture in a glass. Chug it. My normal face is uglier than the gagging contortion of yours.
Now, for most ugly people, ugliness is beatable. You make up for it with other redeeming qualities. But as far as I can tell, I don't have the other redeeming qualities other ugly people have. I'm not a good conversationalist. I'm not an athlete. I'm not rich, have never been rich, and will never be rich.
I guess I'm pretty good at driving a forklift.
But overall, I'm bad at being ugly.
Still, I am married. And not just to any woman, but to every beautiful woman in the universe.
Stop snickering. This isn't a joke. I'm here to tell you and all you other fine-looking listeners how I did it.
And that's the trouble part.
My wife is called Princess H0t22. That's her screen name. A screen name, for all you traditional lovers out there, is an online alias.
She's hot. Like I can't believe I haven't fried the motherboard kind of hot. No, the pictures she posts might not really be her. Every day her avatar displays a different skimpy swimsuit model. But I love her no matter what. Unconditional love: isn't that what marriage is about? I've never shown my wife my real face, and I'm sure she wouldn't do me the disservice of showing me hers. I prefer her being every beautiful woman ever.
My screen name is Dr.Dude. Unlike Eddy, Dr.Dude is not ugly. Dr.Dude is irresistible. In fact, Dr.Dude is so irresistible that meeting, marrying, and mating online is not good enough for Princess H0t22.
Because yesterday, she sent me this message: Dear hubby, I want to see you face to face or this marriage is over.
Take a deep breath before I say this.
Got it?
Alright, here goes: my wife and I have never met. Not to say I don't like her. I love her. I loved her enough to marry her. Typing "I do" in the chatroom was the happiest moment of my life. I'd boogied so much in the virtual reception room that my mouse broke. My fingers were sore for days.
I love her so much that I don't want to destroy our six months of bliss by meeting her.
But here I am, outside her
Maybe I am good at being ugly.
I walk up to the door of the one I love but have never touched, the one I've married but have never met.
My finger hovers over the bell. I squeeze my eyes. I push it.
The door opens.
"Princess H0t22?" I say.
"Dr.Dude," she growls. "You brought flowers."
I peek through the rose petals.
No, she's not the skimpy bikini models. Not even close. In fact, she's so ugly she's beautiful.
Even if she is not a she.
