1. Stephen King once wrote: "To write is human, to edit is divine." How might this belief hold true for documentary-making? How might it apply differently for documentary films rather than novels?
2. Hampe says to "recognize that some ideas just aren't visual ideas" (54). What is a visual idea? What are components most good visual ideas share?
3. Hampe writes, "It takes time, training, and experience to look at your own work and see it for what it is" (57). What argument about intent and evidence does this quote relate to? Why is there a tendency to read evidence into film based upon intent, and how can we combat this intent?
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