Wednesday, April 22, 2009
Backpacking Across Europe
Saturday, March 14, 2009
London Weekend Part Deux
The only reason I can understand why it's the strange memories from London Weekend that stand out is because a guy running ahead of my dad in the 1984 Chicago Marathon decided to take a piss.
That was one of the two things my dad remembered from his
Back to
It's the other .2 that stick.
Episode 1:
"Red or white?" the MC asked. His bloated red face was slicked with sweat from screaming out pub quiz questions for the past hour.
I had no idea what he meant. I had just captained our pub-quiz team to a championship -- with little thanks to me, really. In a pub packed with over 50 U of I students and alums living in London, my team was lucky to have both Ryan, our spiky-haired London Weekend guide who actually read the stories beneath headlines, and Chris, the English husband of a U of I alum who took care of anything about England.
"Red," I said.
The MC reached behind the bar and handed me a bottle of red wine as we left the pub to head to a Brazilian diner on the River Thames. In the hierarchy of concerns and values of your vacation-minded U of I student, the bottle was a potion of instant popularity.
I'll have a feeling I'll be remembering that moment for a long time. I have no idea why. Maybe it was the spontaneity of the question. Of having absolutely, positively no clue what he meant. Or maybe it was the winning. We always remember winning, don't we?
Episode 2:
And then I'll remember the big orange "Drugs" sign.
After the Brazilian diner, Christian, a 2006 U of I alum, led us to a club called Rodeo. The decor tried really hard to be American Old West, from the Harley to the Route 66 signs.
But what caught my eye was the big orange neon "Drugs." No catchy phrase, no embellishment, just "Drugs." I found this hilarious, in a delusional sort of way. I don't think there were any drugs there. They wanded and padded down everyone who entered. But then again, I'm not sure how else to excuse the flailing-limb-lolling-tongue dance style popular with most of the
Episode 3:
And then, of course, there was the waterfall.
On the last night, we played Circle of Death. My roommate had annexed our room as the party room. I decided to skip going to another club, wanting only to go to sleep to fight off a wicked sore throat. It seemed that over the course of three days, we swapped bugs from our respective English universities so that, even if I was immune to
But as more and more students piled into the room, sleep was becoming a less and less likely option.
So I uncorked a bottle of throat-soothing 7-Up and played along. It was good rowdy fun until someone crossed the line and threw beer out the window.
Now, Jerome, my study abroad advisor, said the average Londoner is caught on camera over 300 times per day. Whether or not this is accurate, it certainly is true that there are cameras everywhere.
And one of them nabbed our beer hurler.
Ten minutes later, a fat security guard knocked on the door, breaking up the party and asking "Who dunnit?" He made the usual threats -- accusations that the perpetrator could be charged with assault, or that we could all be kicked off the floor. When some of the students denied the beer toss even happened, he victoriously pointed to the wet splatters on the window, evidently pleased with his detective work.
I wasn't nervous, just angry. The security guard wanted blood. American blood made it all the sweeter. But no one was going to be the rat, and the kid who threw the water was too much of a coward to turn himself in. So a girl took the bullet for everyone, saying she did it while the guy who did slunk out of the noose. I was furious at the injustice, but at the same time I was glad finally to get to bed. Sure enough, the whole thing had blown over by morning.
In the end, what makes for a story are the unexpected snippets that grow like weeds or wildflowers in the cracks of an agenda. No trip is worth it without these curveballs. Luckily, they're not hard to come by.
Indeed, a flexible mindset, a spirit of adventure, and a willingness to depart from the agendas of our expectations provide infinite opportunities for these curveballs. (And believe me, some of them are very curvy indeed.) The trick is not to fear the zigs and zags, but to realize that -- weeks, months, years later -- they'll be the tokens we use to assess our own enthusiasm for the experience. They're the grains of sand that make the pearls.
They're the reasons we should never be bored with the trials of travel.
Tuesday, March 3, 2009
Fish 'n Chips 'n Puke 'n Stonehenge
Saturday, January 31, 2009
Mess Theory
I saw the notice when I returned from Paris.
Dear residents of flat 610,
We have inspected your flat for the second time and on both occasions have found the common area's to be dirty and badly cared for, no real improvements have been made...If the rooms are continually dirty and untidy there is possibility that you will attract pests of all sorts that will not only affect you but other tenants.
We had to clean, or else they'd do it for us at our expense.
I showed this to my flatmates. "Did you read that letter we got from Housing?" I asked.
"What letter?"
None of them had. Not that I could really fault them for it. The kitchen table was the base of a precarious architectural experiment that, at the moment, was defying gravity. Bowls with cherrios cemented in solidifying milk teetered on pots speckled with stale ramen. The only thing holding it together was the sticky patches on the table's surface that ripped pages out of any reading material I brought along for meals. Our mail slipped through the cracks and was devoured by whatever three-eyed mutants slobbered below.
Thing is, the note wasn't my problem because the mess wasn't my problem. If I had an isotope to label each molecule of dirt constructing this trash edifice, I'm pretty sure none would say "Eric." I had squeezed all my eating things into a single cupboard. I used one cup, one plate, one bowl, and one of each utensil. But here I was, wiping fossilized crumbs from the counters, peeling black molasses-like gunk from the stove top, and scrubbing dishes.
And the worst part was, I didn't know if my flatmates would even notice.
So as I scrubbed dishes the old-fashioned way, freezing my hands under the cold nozzle and burning them under the hot, I hashed out what I call Mess Theory.
Working definition of Mess: Something that deviates from order and into unattractive, unseemly chaos.
Mess Theory is nothing new. It describes our ability to adjust standards and comfort zones so that what I see as a Mess, you see as a normal order of things.
But here's the kicker: Gradually, as I invest time in forming connections, the Mess gets un-messy simply by adjusting to it. Call it cleaning with psychological powers. Eventually, I'll adapt to your perspective. No dishes have been cleaned. No cherrios liberated from their milky tombs. But the mess is gone. We both see what was previously a horrifying kitchen as a kitchen. Without ever lifting a broom.
I wasn't going to wait for Mess Theory to take hold of me. Lest I become that 44-year-old saxophone street performer. What he saw as a stepping stone to greatness (Paris hasn't discovered me because I don't want them to discover me yet), I saw as a trap door into financial and personal destruction. He lied to himself to hide the Mess of pain.
I think one of the reasons travel is so important is because it shields you from becoming a pawn to Mess Theory. As an international student, you're always on your toes. You're never given the full chance to adjust. You still are your "back home" self, with your own standards to measure Messes against. That's part of the reason why traveling to Guatemala this summer was so stunning: what natives saw as their lives, I saw as a Mess of poverty.
Here the Mess wasn't as grave, but it was enough to make my hands chap.
So I washed dishes. And hoped for happier times visiting Bath tomorrow.
Saturday, January 24, 2009
My Semester in England
I've deliberated long enough how to introduce what will, fingers crossed, become five to six months of daily recounts. But we all know that moments spent deliberating are potential adventures forever lost. And because we never know if the dials will land 7-7-7 unless we give them a chance to stop, I'll make this quick.
My aim is to keep a concise running record of interesting, unexpected, or downright entertaining things that happen during my study in England. As honestly as I can translate them, I'll weave in my own thoughts with the plot of each day. Hopefully any rambling will be because I'm still fumbling around here, and probably will be for the duration of the adventure.
So why an overly cliche, slightly narcissistic, and a largely unread log of my trip? Simply: I feel compelled to write about my travels. Travel and writing fit together. Not like peanut butter and jelly, but like a cop and a prisoner cuffed at the wrist. Neither can ever get completely what he wants (arrest for the cop, escape for the prisoner) without sacrificing authority to his opponent, lest they beat each other up and destroy their own ambitions in destroying their opponent's.
But sometimes, the cop and the prisoner, travel and writing...sometimes they work together to solve what neither could solve alone. That's exciting. The flipside is that sometimes the travel/writing connection sparks conflict that would never have come about had I decided to travel without reflection or write sheltered from my environment.
The point is that writing is not a passive reflection of travel. And travel is not a neatly plotted novel easily scribed into words. Not even close.
For one, knowing I'm writing changes how I travel. I'm more prone to sneak an ear into a bystander's conversation. I'm more libel to try new things, whether risky or bizarre, in the hope that I discover a gem of a story. In short, I have more fun.
While writing affords me an excuse for the multiple embarrassing failings that energize each day, it also makes the trip worth something. A token of memory, yes. A way to share a journey with loved ones, definitely. But also a way to anchor every journey, whether mundane or majestic, in the oceans of novelty. A way to encode, make sense of, and cohabit with the big blasts of newness that I might otherwise not be courageous enough to confront. A way to get down the specifics before they become impressionistic smears.
Most of all, writing extends the journey. It's a way to travel when you're too tired to walk anymore.
I'd like to dedicate these entries to the late Michael Crichton, whose memoir Travels is just plain awesome. To my brother Matt, who gets to go to Handball Nationals but who encouraged this blog by saying mine might be good enough to surmount the cliche. To my sister Jane, for her affability and social skills that, by mimicking, have already won me a couple friends here. And of course, to my mom and dad, for the infinite number of ways they've supported this trip and every trip I've ever taken.
I hope you enjoy it.
